The Sample Is Tight Right? Show & A.G.

Thanks once again to everyone who dropped a comment on the 'Right Or Wrong' debate; felt like we had a really good discussion going there (still a chance to comment though!) that really made me think about the issues involved. One thing is for sure about the world of hip hop blogs: they are a forum for discussion of both the music, history, culture and the issues that have arisen as a result of the dawning of the digital age. Let's keep this level of thought involved in blogging and it can only lead to good things.
Although I always try to keep my posts fresh in terms of whether I have seen albums elsewhere, the reality is that this is a virtual impossibilty given the sheer number of blogs online. I realise that perhaps my strengh lies in my comments on albums that I post up and not on exclusives or exceptionally rare joints, so although I will try to always provide links to stuff that I haven't seen elsewhere, I will still persist in commenting on albums that I enjoy and feel are valuable to the culture despite their presence elsewhere in the past. I also assume that many readers of this blog may be new to this online community and so doubling up in places isn't necessarily that much of a crime, and I hope experienced bloggers will still value a discussion on these releases. Having said this, I haven't seen 'Goodfellas' up recently as far as I can remember, so I'm going for it.
'Runaway Slave' is of course an undisputed classic within the genre, spawning great hits like 'Soul Clap' and 'Fat Pockets' as well as being a consistent LP for its entire duration. Their follow up effort was by no means as refreshing as their debut, falling victim somewhat to the prevailing attitude at the time that you needed to come off harder on the sophomore album, but it still does this better than most and contains some of the best work that the duo ever produced. In fact, if I had to name my favourite Show & A.G. cuts then I reckon there would be an even spread between the two albums.
The most commercially viable single here was the Premier produced remix of 'Next Level' which seems to have gained much more exposure than any other song on the album. Of course, it's a banger (although I prefer the original mix that will feature on the upcoming 'FDB Guitar Mix' as well as on this album):
One of the other highlights for me is 'You Want It' with Party Arty providing a seriously gritty chorus hook backed by a great bassline and quality horn loop. I also like 'Add On' which features a very tasty horn sample, characteristic sleighbells and heavy snares courtesy of Lord Finesse production and 'Got Ya Back' which professes the strength of brotherhood amongst friends on the mean streets of the ghettos in the big city. Occasionally, the album goes overboard with its street level approach: 'Got The Flava' and 'Neighbahood Sickness' are almost too dark for my tastes, and I am by no means faint-hearted when it comes to harder-edged hip hop.
I know that at one time, Roc Raida was the tour DJ for Show & A.G. and in fact provides some of the scratching on the album. I would have loved to have seen the duo during this time; pure and unadulterated hip hop. Alas, I was still barely pubescent and living in London, so the chance most definitely passed me by. To have been ten years older... (not to wish my life away).
In light of the discussion over the last couple of days and given that this goes for up to $150 on Amazon due to its out of print status, I have few qualms in throwing this up. If you're a fan of their first album then do expect something different, but embrace the sound and enjoy.
Goodfellas



10 comments:
showbizzzzzzz, da da dum dum, ag,
this album is a very very good album,showbiz really did his thing on the production,and the beats are very dark,14 solid tracks and can't complain,well my only concern is that they came out with songs that came out the same year and those songs shouldve been on the album,i got this album for christmas in 2002,i was 15 at the time and i know about music like their's.i love this album and its very important in the undergorund and ditc world.i wonder what they were goin through when they made this album.this album is recommended for fans of that rugged ruffneck and grimy hip hop,fan of dark beats,fans of ditc,and 90's hip hop.all the tracks are standouts but my favorite ones are add on,neighborhood sickness,time for,medicine,im not the one and got ya back.and another thing i noticed is that this album is out of print,thats sad yo,thats what happens when people don't know about hip hop and support garbage like young jeezy.people stop fakin the funk and cop this album if u can find it.
...Lord Finesse, Diamond D, DITC...add on.
If anyone wants an example of NY Boom-Bap at its best, this'll be one of the albums I'd point them at. Dark, heavy; the Hip-Hop equivalent of System Of A Down.
Put it in your system.
hey since this blog is quickly becoming the spot for "issues" you think your readers might be interested in discussing when underground artists crossover to the mainstream- on purpose or not..
the thought came to me as i was leaving a msg in the cbox.
i can see it now.. but it looks like too much words, and i can never seem to entice conversation like you..
we always liked outkast for dope sounds and being different, but is andre3000 being a bit much these days?
eminem rose from the lyricist lounge days, but have we had enuff of his ranting and raving?
why do we hate on kanye, who is more or less a concious artist? cuz he brags and boasts like ALL rappers do?
is common a sell out for doing gap ads? rakim for hennessy? the old guys for doing sprite back in the day? mc serch for cereal?
what do we think of mos def's AWESOME movie career?
Alley - sounds like a great idea and I'm going to run with it this weekend if that's cool with you. Of course, your feedback will be greatly appreciated. Going to take a little research to get it right though...
Tune in tomorrow and let me know your thoughts.
Props as always,
Dan
"assholes are like opinions - everybody gotta have one" to quote meth.
keep the blog about the music. nothing more.
Goodfellas is a solid LP - I only copped the reissue in selectadisc 4 years ago and was blown away. I had the nightime 12" but the lp had always eluded me.(damn ebay).
thanks for posting up a classic.
Could I ask a request? got any finsta bundy?? I only have a couple of 12's but woud happily send em over.
props
jbeez
run with it by all means.
it takes me enuff time connecting my albums/posts.. it'd probably feel like homework for me doing a write up like i suggested. i'll leave that up to guys like you.
this has to be one of my fave 'new school' LPs, the bass heavy production could eventually cause your windows to shatter should it be played at the right volume. first heard 'got the flava' on one of tim westwood's early shows for radio 1 and i had to buy it. timmy!
this has to be one of my fave 'new school' LPs, the bass heavy production could eventually cause your windows to shatter should it be played at the right volume. first heard 'got the flava' on one of tim westwood's early shows for radio 1 and i had to buy it. timmy!
Oh boy! I bought this when it first came out and was not disappointed. I still play it to this day. There is a reason why records like this fetch a grip nowadays.
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