This Could Be Big - Pudgee Tha Phat Bastard

Before starting today's post I just wanted to give a quick shout to everybody who has been leaving comments recently. It it always highly satisfying to get some feedback on the work that I put into the blog and it has been particularly great recently with a debate or two kicking off (props to Alley Al for stoking the fire on the Large Pro post... not sure how well you came off mate!). In all seriousness though, it really is appreciated when people leave their thoughts and feelings on the albums and reviews, keep it up if you're already on it or get involved if you ain't there yet.
'Give 'Em The Finger' was one of those albums that I felt genuinely excited about when I stumbled across it on Amazon. I can't explain exactly what this hunch was based upon as I had never heard any of his music, but I just had a feeling that it would be dope. When I get this feeling it goes one of two ways: I'm either right and elated or I'm wrong and end up somewhat disappointed. I think that my response to this album falls into the second category despite the fact that this is a decent release that is well worth a listen.
Everything is in place if you're feelin' that mid '90s vibe: boasts and brags, a shouty chorus here and there, big snares and some horn loops... there are also some highlights on here as well. 'Checkin' Out The Avenue' has an almost Naughty By Nature feel about it and would work well in a club and both 'This Is How We...' (featuring a verse from Kool G Rap) and 'How You Feel About That' will get your head nodding. Much of the album's production is handled by the Trakmasterz and I would be grateful to anyone who could fill me in on their full discography as the internet is a little sparse on detail apart from their more mainstream production for Will Smith, Mariah Carey and a few other bits and pieces.
Despite these standouts and a relatively consistent quality throughout (ignore the horrendously corny 'Lady In My Life'), this is not an album I listen to particularly frequently and would argue that there is something a little bit lacklustre about 'Give 'Em The Finger'. Don't get me wrong, this is a solid enough release but there is something about it that doesn't quite do it for me. This also goes for some of the cuts he released later on in the '90s that I felt also lacked that edge that makes something great as opposed to being just good. You may not feel the same: cop it and find out.
Request Alert!
I mentioned the shelved Freddie Foxxx LP in my Large Pro post as I feel that it is a another example of an industry oversight, particularly given his prominent position in the genre for over 15 years. The version I have of this is of a relatively poor quality with a hiss over all of the tunes. If you have a version of this that is of decent quality then please hit me with a link: I want to here 'Can't Break Away' in all its glory as well as a couple of other choice cuts from the album. Thanks in advance...
Give 'Em The Finger



12 comments:
whuddu d love.
-more fire stoking- lol cmon, extra p is waay overrated. i don't even remember dudes name right now, but one of my boys just brought up the guy that replaced him in main source was a nicer mc.
Yo...let me being by saying "thank you" for introducing us to all this dope music...2nd a little background on the Trackmasterz from discogs.com
Trackmasters
/ artists (T)
Real Name: Jean Claude Olivier (Poke) & Samuel Barnes (Tone)
Profile: Poke and Tone; one of the most sought-after production teams in the U.S. hip-hop scene.
URLs: http://www.trackmasters.net/
Aliases: Poke and Tone
Members: Poke (2), Tone
Name Variations: All | Trackmasters | Track Masters | Trackmasterz | Trakmasterz
As you can see they are a 2 man production crew...Tone had 2 solo joints that came out in the 1990's....they have done work with quite a few of the bigger names on the NYC rap scene including Biggie, Nas, Big Daddy Kane, and a young 50 Cent....they had 50 when he was signed to columbia and was suppose to release an LP called "Power of the Dollar" which you can find on the net...I believe they had a deal through columbia at that time as well...they did more than a few tracks on the R Kelly/Jay-Z joints and I think they did "Fiesta" for Kells too....just a little off the top background info...hope this helps!
alley: yeah he probably was a nicer mc. im probably a nicer mc than large pro.
dont forget the beats!!
i think i asked this elsewhere already: wasn't red hot lover tone aka HOT DOG from chubb rock's camp? the stepping-dancing dude?
that came to be tone from trackmasterz when he joined with already established poke who'd been doing r&b in the early 80s.
Thanks for the knowledge people; I didn't know about that connection at all alley, nice one.
Large Pro is dope. End of. Let's leave this one boys... I might say something irrational.
Peace!
Dan
Alley, nah, Hot Dog and Tone aka Red Hot Lover Tone were two different people. Hot Dog was a part of A-Teem as well as a part of Chubb Rocks dance crew.
Dan, that Freddie album, every copy of that album I've ran across has been very poor quality. I think the reason for it, was it only came out on a promo only tape of poor quality. I could be wrong though. It's kind of like the Crustified Dibbs (RA The Rugged Man) "Night Of The Bloody Apes" lp, I've only heard piss poor quality versions of that as well
Trackmasterz also did some stuff on Nas' second album ("The Message" is great) and did a handful of tracks on "The Firm" album
They of course did both of Tone's albums, which I enjoy
I think they did the first two tracks on Big Daddy Kane's "Looks Like A Job For..." album, which were pretty good
They also did "Hero Ain't Nuthin But A Sandwich", which was basically Chubb Rocks dancers, but a VERY GOOD album (hmmmm, I might have to post that up tomorrow).
If I remember right, they had some stuff Kool G Raps "Live & Let Die" LP, can't remember what tracks for sure.
I think they had a hand in producing some stuff for the Real Roxanne as well.
They're early stuff is pretty good. Polarity, one of my contributors is a HUGE Trackmasters fan, I'll try to talk him into doing a post on them, he's more of an authority on them than I am
I just picked up a copy of the Think Big 12" Everytime I saw a copy of it, it was just the clean & Dirty but the one I found this weekend had Clean, Dirty and Instr. Its on Perspective Records / Meccca Don Records. Anyone know the deal with this 12" OG, Boot?
thanks trav. i've been wondering about that for YEARS cuz i know there's a direct tone connection to chubb.
I LOVED this album when it came out...I used to rock this tape like crazy. My joints were "Check Tha Vibe", "Check Out Tha Avenue", "Mommie Dearest" and "Doin' Emcees Sumthin Terrible" where his brother Snaggapuss of Doo Wop's Bounce Squad all got down. I guess Pudgee lied in his Source interview about writing Fatal's "Live @ The BBQ" verse and he played himself on Ricki Lake BIG TIME. I never bought shit else he released after that...dummy. One.
" on the regular" is a sick track.
Why is he rumored to be the gay rapper?
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